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filler@godaddy.com
There is an upward trend in the importance and value of fishing photos. There is no better way to record your fishing success than with a quality photograph of the live fish.
Turn this into a Trophy Fish Portrait and we have the ultimate sport fishing end game.
There is an increase in the popularity of quickly photographing our catch and releasing it to fight another day especially for use on social media.
Whether you use a powerful DSLR or you’re a hobbyist with nothing more than a small point-and-shoot or a smartphone to record your angling memories, there’s a chance you’ve struggled to replicate those wonderful fishing mag shots with your own prized catches throughout your angling adventures.
While you may have chalked up your poor photos to the many challenging conditions that can present themselves while fishing, you could get better photos by following a few simple tricks. The following extracts will provide a guide to taking better photos specifically for your life-size trophy portraits.
fishing photography
Have your camera ready to go before you land the fish. Whether you get your fishing partner to grab your cell phone out of your pocket as you fight the fish or set up your DSLR to the right calibration, you’ll get better photos if you don’t have to mess around with preparing your gear with a writhing fish on the deck, bank or jetty. When using a DSLR, the AV or aperture priority mode is a great, quick go-to for on-the-water, still fishing photos, while the TV or shutter speed priority mode is great for action shots.
fishing photography
Take a moment to wipe your lens, even if you’re using a point-and-shoot camera or a cell phone. Water is everywhere when you’re fishing, and it’s amazing how easily it can get onto your camera’s lens and how often we don’t notice it until we get home and review our photos. Ensure that the lens hasn’t fogged up or gotten blurry as a result of condensation or attempts to clean it. Taking 30 seconds to take care of this will work wonders for your photos
fishing photography
When your friend or fishing partner has hooked a fish, you have an opportunity to take photos of the fight, the netting process, them proudly holding their fish, or their face when they lose their fish at the last second! The point is, you’ll never have a better chance to practice your fishing photography than when you don’t have to focus on landing the fish. Don’t sit and watch – pick up the camera and document the experience. You’ll have the benefit of clean, dry, calm, steady hands, and you won’t be distracted. There’s no better time to practice than on someone else’s fish, and they’ll owe you one when you land your next monster!
fishing photography
Wet your hands before touching the fish. This will help you avoid the risk of infection and damaging the fish’s slimy scale coating and it will help the fish look great for the photo shoot. “Swim” your fish between photos by dipping it in the water (with a careful grip), allowing it to revive itself and get a bit of wet, glistening goodness back for the next photo.
Treat the fish as though it’s made of glass! Be gentle; you’ll find the fish is more cooperative when you hold it confidently but gently instead of gripping your hands around it as though you’re trying to choke it. You’ll be less likely to drop it or squeeze the life out of it, which makes for a better-looking fish. In addition, hands tightly squeezing a fish never makes for much of a photo and never says anything good about the angler! It also goes without saying that an un-mashed fish makes for an easier release.
catch and release
Hold your fish horizontally rather than vertically. Doing so tends to give you a better angle for photographs. Experimentation with angles is encouraged, though, and if you plan on taking a vertical shot, don’t put weight on the fish’s gills and spine. Instead, hold the fish by the tail, with its head supported by your hand and held towards the camera. Don’t Panic!
Be quick but stay calm. Many times a photo of a fish turns out badly because your adrenaline is running high as you frantically try to fight your fish, avoid tangling your line with your partner’s, net the fish, celebrate, find your camera and then take a photo! In this situation, your first instinct is often to think that any photo will do. Relax! The hard part is over. Swim your fish for a moment while you catch your breath, take a second to gather yourself, and make a game plan. Think about the type of photo you want. It’s easy to forget how much the picture of this fish matters in the thrill and excitement of the moment, so reminding yourself to settle down and concentrate on the serious task of capturing a great photo is very important.
fishing photography
Shadows are tricky. When we’re on the water fishing, we often don’t have the luxury of choosing the time of day at which the fish will bite or selecting the best angle from which to shoot due to limited deck space. Do your best to remove shadows by using the fill flash setting on your camera to boost a burst of light into the shadows on your subject’s face (but beware of overexposure, especially if your subject is holding a silvery fish). If you can, get their face at an angle to the sun that reduces the problem to begin with. If your subject is wearing a cap and sunglasses, have him or her take them off for the photo. They will often cast shadows, and it’s not neglecting sun safety to take them off for 30 seconds.
fishing photography
Try and keep them out of the picture as much as possible! Cradle them under the fish’s belly rather than wrapping them around its flank in full view of the lens. This helps ensure that the fish stays healthy for the photo and/or release, and it helps a lot with the photo composition because the camera can focus on the fish rather than your hands. The below examples section will provide further guidance.
As with angling, experience and repetition play a big part in how well you photograph your fish – so practice. Like all elements of photography, a desire to improve and learn will help you improve your compositions. Armed with a few basic principles, you’ll bring home much more from your next fishing trip than tall tales.
fishing photography
Now that you know how to handle your fish and set up a great photo, let’s talk about composition! We will start with the rule of thirds. All serious photographers are aware of the rule of thirds, and they all utilize it to some extent. Sometimes fishing photographers forget that the same rules apply to them! The rule of thirds states that you should compose your photos based on the idea that the frame is divided into thirds horizontally and vertically, thus creating nine boxes in each photo. Place points of interest near the intersecting horizontal and vertical “thirds” lines, and watch your results improve! Many modern cameras and even phones have a feature that shows you a grid to help with the rule of thirds. Subjects like the head of the fish, the smiling face of the angler, or even an outstretched net reaching for a trout are good examples of photograph elements that should be placed along the powerful “thirds” lines and intersections. The beauty of this rule is that it is applicable to cell phone photographers and to professionals who have spent thousands of dollars on gear. It will improve your results no matter what camera you use.
fishing photography
THE GOOD
This fish is in good light
Minimal hands showing on the front of the fish
Fins are displayed in an open and erect position - rocking the fish can help to get them erect
Fish is in good focus
Fish is held high and takes up most of the picture
It's a clear shot and there's a great smile on the face of the angler
THE NOT SO GOOD
Removing sun glasses can capture more expression.
The finished product that makes your treasured photo all about you and the fish.
THE GOOD
This fish is in good light
Minimal hands showing on the front
Dorsal and anal fins are displayed in an open and erect position - rocking the fish can help to get them erect
Fish is in excellent focus
Fish is held high and takes up most of the picture
THE NOT SO GOOD
Pectoral fins under the anglers hand
The anglers face is not in focus due to the depth of field settings - this is a personal cho
THE GOOD
This fish is in good light.
Minimal hands showing on the front .
Fins are displayed in an open and erect position - rocking the fish can help to get them erect.
Fish is in excellent focus.
Fish is held high and relatively close.
There's a great smile on the face of the angler.
THE NOT SO GOOD
The sun coming from the right side of the photo is creating some uneven lighting to the face and head .
THE GOOD
This fish is in good light
Minimal hands showing on the front
Most fins are displayed in an open and erect position.
Fish is in excellent focus
Fish is held high and takes up most of the picture.
There's a great smile on the face of the angler.
THE NOT SO GOOD
Anal fin is under the anglers hand.
With the fish not square on to the camera, the length may not be true in the portrait.
THE GOOD
This fish is in good light.
Minimal hands showing on the front.
Most fins are displayed in an open and erect position.
Fish is in excellent focus.
Fish is held high and takes up most of the picture.
THE NOT SO GOOD
Dorsal fin not erect.
With the fish not square on to the camera, the length may not be true in the portrait.
THE GOOD
This fish is in good light.
Minimal hands showing on the front.
Fins are generally well displayed.
Fish is in excellent focus.
Fish is held high and takes up most of the picture.
The inclusion of the rod in this way is fine and will be part of the portrait.
THE NOT SO GOOD
Anglers face partly obscured.
With the fish not square on to the camera, only the head can be life size.
1. THE GOOD
This fish is in good light.
Minimal hands showing on the front .
Fins are displayed in an open and erect position .
Fish is in excellent focus.
Fish is held high and relatively close.
There's a great smile on the face of the angler.
THE NOT SO GOOD
Angler wearing sun glasses.
Fish is pointed length ways towards the camera.
2. THE GOOD
The fish has been turned more square on to the camera.
Fins are displayed in an open and erect position .
Fish is in excellent focus.
Fish is held high and relatively close.
There's a great smile on the face of the angler.
THE NOT SO GOOD
Angler wearing sun glasses.
Fish is not yet square on to the camera.
3. THE GOOD
This fish is in good light.
Minimal hands showing on the front .
Fins except the tail are displayed in an open and erect position .
Fish is in excellent focus.
Fish is held high and relatively close.
There's a great smile on the face of the angler.
THE NOT SO GOOD
Anglers hat has been cut off.
Tail is a little folded.
Fish is still not quite square on.
4. THE GOOD
This fish is in good light.
Minimal hands showing on the front .
Fins are displayed in an open and erect position .
Fish is in excellent focus.
Fish is held high.
There's a great smile on the face of the angler.
THE NOT SO GOOD
Fish is held well forward and the lower fin is cut off.
Fish is not square on to the camera.
SO WE HAVE A CHOICE TO MAKE.....
These are all great photos and any of them would make a fantastic lifesize trophy fish portrait. Sometimes though, we need to think a little bit more about how we are planning to use the photo.
Despite recreating the missing part of the hat, it was decided No 3 represented the best overall outcome for composition and our ability to display the lifesize length.
MARLIN
We may not have the space to capture a truly big fish, but we can certainly capture a life size portion and compliment that with an insert of the full fish and angler
THE CAPTURE IN FULL
That would need a really big wall!
THE END PRODUCT
The life size portion of the fish, complimented with an insert of the full fish and angler
THE TUNA
Another typically big fish that can if necessary be captured lifesize in part and represented in the insert with angler/s in full.
THE VERTICAL FLATHEAD
You certainly get the shape of the fish and the width of the head this way, but you do lose some fin detail.
THE PUSHED FORWARD FLATHEAD
Similar to the vertical choice with a bit more fin detail, more of the mouth and some depth on the sides.
THE ANGLED VERTICAL FLATHEAD
Similar to the vertical, but with a bit of roll we could see the depth a little
THE FINISHED PORTRAIT IMAGE
Your life size, life long memory and both you and the fish get to tell the tale
Held flat and horizontal can work to show the depth and the fins. This can also be complemented with a second overhead shot as we see in the bottom example.
That's a pretty happy angler! He can let that go and still have a life size trophy on the wall.
Great fin display on this 75cm model.
Another good example of a side on shot
A finished example using both the side on and top view shots to capture both aspects.